Download Free Dr Dre Greatest Hits Rar

Android has recently changed its settings and no longer has the options for direct stream either. Software versions as below: iOS App 4.12 IPTV.bundle Version 2.1.3 Plex Media Server 1.7.1.3856 Still functional using plex web, rasplex, etc.

Now with ZIP File. Download: Previously: Passion of the Weiss Top Hip Hop Songs —,,,,, Yes, “Hot Cheetos & Takis” is a real song by children about two different spicy snacks that aren’t available in all markets. And yes, it is a real song about spicy snacks that is rapped by children as part of an after-school project and not a real band or rap group or some avatar for coolness.

But still, it is a real song that is actually enjoyable to listen to outside of the first time you ever heard it. Basically, what I am trying to say is that this isn’t “Gangnam Style,” which I’m pretty sure was created in a viral marketing lab by the same people who invented Lays potato chips and Betty White. “HCAT,” as the kids call it, has 4.5 million YouTube views and has been heard in a non-computer setting once. “Gangnam Style” has 962 million views and will be torturing me during NBA game breaks for the next 15 years, has led to a full-on controversy for the artist and is honestly still catchy no matter how many times you hear it but come on. One of these songs is a great piece of music by some children having fun, the other is by an American-trained Korean guy who was sick of the excess and commercialism of a certain area of his homeland — and the wrong one became the world’s biggest viral sensation. But you know, who’s to say being overshadowed by Psy is a bad thing for the YN Rich Kids? Maybe this is an Eric Bledsoe kind of thing where a talented youngster is allowed to develop out of the limelight until he/they is a fully-formed beast, or maybe I just forgot what website I’m writing for and made a reference to a basketball player who is still kind of off the radar.

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Whatever the case, we shouldn’t forget about “Hot Cheetos and Takis” just because it dropped in the summer of Psy. It’s still great and it’s still fun and it’s still worth showing someone who’s never seen it. Plus, 10 years from now, you can say you remember the world’s biggest rapper back when he was still Dame Jones of the YN Rich Kids and not the next Method Man.

Also, I am still hungry where them Cheetos at? — The weed song is a well-loved rap trope, and “Full of Dat Weed” might be this year’s best addition to the canon. Producer Kuya Beats scatters soft, cool synths over deep bass swells and busy drums, leaving the track wide open for Bay Area MCs Kool John, DB tha General, and Plane Jane to talk shit. The trio fills it admirably, playing nicely off each another in markedly different styles. Kool John sets the table with his blunted, low-key drawl, DB tha General darts around the beat in a nasally staccato, and Plane Jane attacks with bouncy, forceful bars.

Kuya’s production brings out the best in DB, in particular — he reigns in his typically unhinged delivery to great effect. The get-fucked-up anthem lives and dies by its hook, and this one is sticky as hell. Kuya snatches one of the many quotables from Young Bleed’s “How Ya Do Dat” and flips it into a dumb-out gem, infectious and purpose-built for repeated hollering. Burn one, or two, or six, and listen loud. — “Twitch” comes nestled in Winter In Prague, Vince Staples’ tape with producer Michael Uzowuru, standing as yet another stellar example of two dudes dudes vibing together, making rap magic.

Uzowuru’s beat admittedly does most of the legwork here (kilters on off, whirs on unlimited), but as Vince kicks his one-and-done verse you start to notice a sneaky lyricism to his near Poison “Fallen Angel”-level tale of a girl gone wild and then deeply sad. “Become a ho” becomes “bungalow” bleeds into “bunch of dough,” and suddenly his poor subject has a kid and is shacked up with some dude who can’t stand her. Tyler, The Creator has gone on record saying he actively dislikes Staples, and through the lens of “Twitch” the difference between the pair of young rappers becomes glaring. At his best, Tyler uses his words like wrecking balls, every syllable having the potential to destroy.

“Twitch,” meanwhile, is a slow burn. It’s my sister. Roc Marciano’s sophomore album, Reloaded, opens with a scene from “Pimps Up, Hoes Down,” in which King James is crowned “Pimp of the Year” at Chicago’s 24th annual Players Ball. Humbled by the prestigious award, he downplays the monetary perks offered by his profession and insists that “it’s really all about the respect.” The quote leading into “Tek to a Mack” is a respectable mission statement, but earnestness is a virtue better suited for Roc’s Metal Clergy counterpart. Moral compasses are intended to guide the actions of law-abiding citizens, not the itinerary of underworld megalomaniacs.